DEEN - ROCK IN CITY ~band covers only~ [2026.01.21✕FLAC✕MP3✕RAR]

DEEN - ROCK IN CITY ~band covers only~ [2026.01.21✕FLAC✕MP3✕RAR]

DEEN - ROCK IN CITY ~band covers only~
Detail: DEEN - ROCK IN CITY ~band covers only~
Artist & Title DEEN - ROCK IN CITY ~band covers only~  
File FormatFLAC
ArchiveRAR
Release Date2026.01.21


Introduction:

On January 21, 2026, DEEN, one of J-Pop's most enduring and melodically gifted bands, made a statement not with a new original but with a profound act of musical archaeology. Their latest release, "ROCK IN CITY ~band covers only~", is far more than a cover album. It is a strategic, passionate, and masterfully executed manifesto, a return to the core "band" identity that fueled their rise in the 90s, reinterpreted through the lens of over three decades of experience. This project isn't a nostalgia trip; it's a reclamation and a powerful lesson in musical essence.

Decoding the Mission: Why "Covers Only" and Why Now?:

The title itself is a direct declaration of intent: "ROCK IN CITY": This evokes the gritty, live-band energy of their early club days and positions the project within a specific, organic sonic space that the "city" built on drums, bass, guitar, and voice. "band covers only": This is the crucial clause. It signifies a deliberate stripping away. No grand orchestration, no complex studio layering that often characterized their biggest hits. This is DEEN, as a four-piece unit, in a room, communicating directly with the DNA of songs they love. In 2026, for a band of DEEN's stature, this move is brilliantly subversive. It sidesteps the pressure for a new "hit" and instead offers something arguably more valuable: authenticity, mastery, and a pure connection to the joy of performance.

The Sonic Blueprint: Deconstruction and Reassembly:

Produced by the band themselves, the sound of "ROCK IN CITY" is a revelation of tight, mature, and deeply respectful rock energy. The Rhythm Section Reimagined: The foundation laid by drummer Keita and bassist Taiji is both powerful and nuanced. They don't merely replicate the original rhythms; they re-groove them. A classic pop song might be re-rooted with a driving, funk-tinged bassline or a shuffle beat that gives it a completely new feel, highlighting the hidden rock skeleton within familiar melodies. Guitar Work as Narrative: Guitarist Kohsuke Maekawa shines as both a colorist and a storyteller. His choices are meticulous: a choppy, rhythmic riff here, a soulful, blues-tinged solo there, a clean, chiming arpeggio elsewhere. He uses his guitar not to show off, but to reframe each song's emotional core, adding grit, warmth, or yearning where it best serves the new arrangement. Ikuo's Voice: The Unifying Thread: The true magic lies in how Ikuo's iconic, emotive voice, often associated with sweeping ballads, adapts to this rawer context. He trades some of his famous soaring vibrato for a more direct, textured, and sometimes grittier delivery. He sings these covers not as imitation, but as conversation, finding new shades of passion, swagger, or melancholy within the lyrics, proving his voice is as at home in a rock club as it is in a domed stadium.

Conclusion:

"ROCK IN CITY ~band covers only~" is a triumph of confidence. DEEN has nothing left to prove in terms of commercial success or hit-making prowess. This project proves something else: their enduring love for the fundamental act of making music as a band. It’s a loud, clear, and beautifully played reminder that before the awards, the arenas, and the legend, there were four musicians in a city, powered by rock and roll. This release doesn't just cover songs; it covers the very soul of DEEN in a new, authentic light. It is less an album and more a declaration: the band is not just their history; it is a living, breathing, and powerfully current entity.

Tracklist: DEEN - ROCK IN CITY ~band covers only~ mp3 flac rar zip

1. MARIONETTE
2. フレンズ
3. GLORIA
4. 悲しみにさよなら
5. ミス・ブランニュー・デイ(MISS BRAND-NEW DAY)
6. BE MY BABY
7. 星空のディスタンス
8. ENDLESS RAIN
9. 青空
10. DEAR FRIENDS
11. このまま君だけを奪い去りたい (Live at Zepp DiverCity 2025)

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